Double Trouble (
oohforeshadowing) wrote in
wondrousplace2023-03-22 07:25 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
olden times for Tommy
The great country pile isn't their speed, really.
Double had their lovely house in London, bought and paid for by their adoptive father - a High Fae of some high regard, who'd been fretting about their lands and accounts falling into strangers' hands when he passed on. It was a heartrending story, of course, and Double was...well, positively delighted to be anything the old man wanted them to be. For the right price.
Shapeshifters have long since had a bad reputation for sliding into the upper echelons this way. They hadn't been in penury to begin with, by any means, but 'lovely house in London' money and 'vast estates with mining wealth and hundreds of rate-paying tenants' money is not the same by some order of magnitude.
The old man died peacefully in his bed, well over a century old, and left the manor house and everything that went with it to their sole heir. Who is going to sell it all, eventually, but it feels tasteless not to even let their 'father's' body grow cold.
They move in after the last of their furniture has been transported, and lets the housekeeper give them the tour. They cut quite the figure: long blond hair pinned up in curls, a jacket and blouse tailored tightly to a corseted waist, the snug high-waisted breeches favoured by most males. Their tail is the most exposed part of them and the woman they're following keeps eyeing it like she's not sure if it's obscene or not.
"...show you the stables, your grace," she says, as she walks ahead to the outbuildings.
"Ah. I suppose we ought."
Double had their lovely house in London, bought and paid for by their adoptive father - a High Fae of some high regard, who'd been fretting about their lands and accounts falling into strangers' hands when he passed on. It was a heartrending story, of course, and Double was...well, positively delighted to be anything the old man wanted them to be. For the right price.
Shapeshifters have long since had a bad reputation for sliding into the upper echelons this way. They hadn't been in penury to begin with, by any means, but 'lovely house in London' money and 'vast estates with mining wealth and hundreds of rate-paying tenants' money is not the same by some order of magnitude.
The old man died peacefully in his bed, well over a century old, and left the manor house and everything that went with it to their sole heir. Who is going to sell it all, eventually, but it feels tasteless not to even let their 'father's' body grow cold.
They move in after the last of their furniture has been transported, and lets the housekeeper give them the tour. They cut quite the figure: long blond hair pinned up in curls, a jacket and blouse tailored tightly to a corseted waist, the snug high-waisted breeches favoured by most males. Their tail is the most exposed part of them and the woman they're following keeps eyeing it like she's not sure if it's obscene or not.
"...show you the stables, your grace," she says, as she walks ahead to the outbuildings.
"Ah. I suppose we ought."
no subject
"What do you know about this? This - what you say this is?"
It's hard even to say aloud, honestly.
no subject
"The compulsion itself?" Double asks, wanting to be sure. "Or the...the circumstances under which it was done?"
no subject
"The compulsion." If that's what it is, he clearly thinks.
no subject
"...A compulsion is any spell which affects your perception," Double says. "What you think, or feel, or how you experience the world. The Fae will say they can't 'force' anyone to do anything, but they can make you think they're the centre of your world, that you owe them everything, that it would be obscene not to do as they ask."
There's no practical difference.
no subject
A few of the family members nod their understanding, as does Tommy. This, they recognize.
"So you think they... changed how I see the world. How long do you say I've been away?"
The days he's been gone pale in comparison to the half-century he still feels he lived through. He has no realistic frame of reference.
no subject
"No more than four days," Double says, grimacing. "The...good news, such as it is, is that Fae magic is astonishingly potent in the moment but lacks much staying power. Imagine being submerged in water. You're weightless and unable to breathe, it controls everything you can feel and do, but once you're out of the water? That goes away."
What they're less confident about is how long it will take Tommy to catch his breath, or what oxygen deprivation might have done to his mind. Metaphorically speaking.
no subject
He meets their eyes again, listening to them with rapt attention. When they make the metaphor he nods immediately, and tells them: "That's what it felt like when you were gone. I came out of the water, but physically I'm not sure I am."
It's like he's betraying himself. A whole life he's led. Everyone he knew - if he accepts that that isn't real, then what?
no subject
"I could never have imagined Alexandria would be so cruel," they admit. "She was using you as bait. You could have simply been allowed to sleep. She exhausted herself so much by hurting you..."
So much that when they went to kill her, she didn't have the power left to stop them. They don't say it, but to certain people in the room, they're sure it's clear enough.
no subject
Polly clenches her jaw and nods her approval, and Arthur crosses his arms and seems to feel the same way. Tommy just looks tired, and nods.
"Somewhere I remember putting up a fight. I don't know if it's a real memory." But it probably is.
no subject
"I don't doubt that for a moment. She used a compulsion on me, as well - a vision of you, pleading with me to give her what she wanted." They smile thinly. "I know you well enough, Mister Shelby, that you wouldn't have given her that kind of satisfaction."
no subject
"I tried killing her many times, over the course of..."
He trails off and grimaces. Finn is here, and even if he weren't he doesn't want to worry the rest.
"No matter. If I'm really out of the water now, then - then we should sleep."
no subject
"You are," Double says, and then abruptly realises that they're in the rather well-occupied home of Thomas' family and are both a Realmer and an outsider in several assorted ways.
"I can come back tomorrow, but if you'd prefer to be with family..."
no subject
Tommy looks at Polly, who firmly says: "Nonsense. You can stay here if you like. The beds may not be up to your standards, of course."
no subject
Double's smile is surprised out of them, and looks all the more genuine for it.
"That won't trouble me at all. I would happily sleep on the bare floor at this point."
no subject
"And make assumptions about our hospitality?"
She tuts and shakes her head, then nods at Finn.
"Get bedding out for the sofa. I'll make up a space for Tommy upstairs."
Consciously not kept downstairs. Upstairs has a lot more rooms he'd need to pass by if he got any ideas about leaving in the night.
no subject
And honestly, Double has no real intentions of sleeping. If Tommy does go wandering, there's no knowing where he might end up or what trouble he'd get into, with his mind as battered as it's been.
They mostly just stay out of the way as preparations are made for the Shelbys to bed down for what remains of the night, still a little fascinated by a family who clearly actually love each other.
no subject
Polly bids them goodnight with a hand to their elbow and a heartfelt thank you, and then Tommy is urged upstairs.
He does sleep. He dreams of himself as a man of eighty-five, living in a shack somewhere, having lost everyone and everything. When he wakes up before dawn it's hard to believe his body isn't old and stiff but young and vital.
He goes downstairs, past the vigils who have fallen asleep, and to the kitchen. He won't make a break for it; he just wants tea.
no subject
Double is awake; hasn't really slept, per se. There's a couple of hours they can't quite account for when they might have drifted a little. Right now they're sitting at the kitchen table, paging through a newspaper they found during a brief exploration of the kitchen.
"Good morning, darling," they say, softly.
no subject
He looks at them briefly, then nods.
"Morning. Tea?"
He knows they should talk, and he'd rather have something to drink on hand.
no subject
"Tea would be lovely," they say. "I did think about making some for myself, but it felt rude to rummage around someone else's kitchen."
no subject
"She wouldn't mind."
He's sure, even if he hasn't seen her for ten-going-on-fifty years.
He gets the kettle on and gets everything necessary until the water is boiling. He doesn't sit down with them again until he has their cups, but when he does he sits on the chair opposite theirs.
"...sleep any?"
no subject
"I haven't really been able to," they say, reaching for a cup with a nod of thanks. "...How are you feeling?"
no subject
"Adrift," he confesses, honestly. "I realize that I was worse when you picked me up yesterday, but I don't feel right. I feel like..."
He makes a face. "I know everyone expects something of me, but I don't feel like the same person you know."
no subject
"...You've lived a whole life. A very unhappy one. You've seen awful things. You've experienced tragic loss and terrible pain, and it's shaped who you've become. Now you're here, and it's all very well for us to say that none of those things truly happened, but they still feel real to you. The impact they had on your is real. And those losses and pains may very well wait for you, again, in future."
No wonder they didn't sleep.
no subject
He nods, expression grim. That's exactly it - all the expectations weigh heavy, but the life he just lived weighs more heavily still.
"You killed them both, didn't you?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)